|
|

The Writers
| |
|
Page Richards
Page Richards, Director of the MFA, has been involved with
Moving Poetry since the programme first offered classes in 2001. She
publishes on poetry, American literature, drama, and performance.
Her work has appeared in The Dalhousie Review, the Harvard Review,
Wascana Review, the Journal of Modern Languages, and 'After
thirty Falls': New Essays on John Berryman, among others. She
is the author of Distancing English: A Chapter in the History of
the Inexpressible and Lightly Separate. She has studied
and taught at Harvard University and Boston University, offering courses
in poetry, drama, and creative writing. She is currently an Associate
Professor at the University of Hong Kong. |
|
 |
|
Fiona Chung
Fiona Chung is a poet, whose poems have recently been published
in various issues of Yuan Yang. She is also a Ph.D. candidate
in the Department of Music at The University of Hong Kong. She is
now studying composition with Dr. Joshua Chan. Her body of work
includes plays, short stories, poems and music compositions. Fiona
was born in 1980. She attended the Li Po Chun United World College
of Hong Kong and obtained the International Baccalaureate Diploma
before she did her B.A. at HKU with a double major in English Studies
and Comparative Literature.
|
 |
|
Timothy Kaiser
Timothy Kaiser has been a Moving Poetry workshop leader since its beginning. He loves to work with young poets and watch their poetry grow and prosper. Tim is a teacher at the Canadian International School of Hong Kong. He has published in many places and his collection of poetry called Food Court was published by Chameleon Press in 2003. |
 |
|
Agnes Lam
Born and brought up in Hong Kong, Agnes Lam left home at
nineteen to study in Singapore and then America. Upon graduation
with a PhD in linguistics from the University of Pittsburgh, she
first taught at the National University of Singapore. She is now
an associate professor at the University of Hong Kong. She has contributed
poems to journals such as Ariel, Commentary, Dimsum,
Singa, Westerly, World Englishes and Yuan Yang. Her
two poetry collections, Woman to Woman and Other Poems and
Water Wood Pure Splendour, were published in 1997 and 2001
respectively by Asia 2000.
|
 |
|
Shirley Geok-lin Lim
Shirley Geok-lin Lim's Crossing the Peninsula
received the Commonwealth Poetry Prize. She has published four more
poetry collections; a novel Joss and Gold, three books
of short stories; an award-winning memoir, Among the White Moon
Faces; two critical studies; and edited/co-edited volumes,
including The Forbidden Stitch, which received
the 1990 American Book Award. Among her honors, Lim received the
UCSB Faculty Research Lecture Award (2002) and Chair Professorship
of English at the University of Hong Kong. She is currently professor
of English at the University of California, Santa Barbara.
|
| |
 |
|
Marina Ma
Marina Ma is a poet whose poems have been published in
Hong Kong, U.K., U.S.A. and India. She has two degrees from the
University of Hong Kong with concentrations in Literature. She has
been involved in the Moving Poetry programme since 2001. She is
currently the Director of Creative Writing Programmes in the School
of English at the University of Hong Kong. She also serves as Editor
for the literary journal Yuan Yang and Committee Member for the
HKU Poetry Prize.
|
|
| |
|
Dino Mahoney
Dino Mahoney is an award-winning playwright, a poet, broadcaster,
journalist and academic. His poems have been published in both London
and Hong Kong. Dino is currently based in London where he works
as a writer and a teacher of English and drama at Imperial College.
|
|
| |
|
Thomas Richards
Dr. Thomas Richards, Honorary Associate Professor at HKU,
studied literature at Stanford University and taught for eight years
at Harvard University. Offering longstanding expertise and wide-reaching
experience, he teaches vivid and enduring practices of creative
writing.
|
|
 |
|
Eddie Tay
Eddie Tay has two volumes of poetry: Remnants (2001)
and A Lover's Soliloquy (upcoming, March 2005). In
his writings, he draws from Singaporean and Malaysian history and
culture, as well as from Tang Dynasty poetry, most recently the
erotic and cryptic verse of Li Shangyin. He is currently a
doctoral candidate at The University of Hong Kong.
|
|
|